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May 10, 2011

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Paul Cancellieri

Wow, Ryan.

I couldn't agree more with your assessment of the conflicting messages from the "powers that be". We can't be both innovative and simultaneously standardized. You make a great point and you do it with some nice writing. I am looking forward to reading more of your work on TLN.

The question for me, though, is this: As a classroom teacher, what can I do to find the middle ground between scripted curricula and wide-open experimentation?

Rcniman

Paul -

Thank you for the kind words. I'll see what I can do.

You bring up an interesting question. One which I don't, in some ways, have the background to start to answer. I say that because I work in a school and district that has (in my 7+ years) been very decentralized. Furthermore, my school was in the middle of a Gates small schools grant and we were divided into five small schools. When I was hired it was truly a feeling of 'anything goes'. That was only exacerbated by the fact that I was given a room that had no maps and I was sharing a single set of U.S. History books with two other teachers - both of which were upstairs.

The whole situation led to a ton of 'wide-open experimentation' on my part but also a lot of frustration as I wished that someone would at least hand me a solid curriculum to start with.

Later, when I worked part-time as a TOSA as the district English Curriculum Coordinator, I saw the scripted versus wide-open debate from another angle. We were attempting to implement a district-wide writing assessment in English classes that focused on analysis. Another coordinator and myself were meeting with a middle school English department and basically talking circles around the task. It was clear that many of the teachers were frustrated with it, while we (and a couple of teachers) saw it as a great opportunity for collaboration across the district. Finally, we had an ‘ah-ha’ moment when one of the teachers said something to the effect of “The problem is that we’re used to teaching literary devices, not analysis’. If it weren’t for some pushing from the outside, they might have stayed in the rut of literary devices (and maybe they did - the task was abandoned two years ago).

So while those two events make me understand the value of a scripted curriculum, I also realize that much of what I get away with doing now is because I teach Humanities blocks in a school and district that otherwise doesn’t have ‘Humanities’ at the high school level. As literally the only Humanities 9 teacher in the district, I’ve created much of my favorite curriculum (units on ethics, government, and film, using http://www.civicmirror.com) in a vacuum. As long as I can justify what I’m doing with some vague connection to the state standards and am reasonably preparing my students for 10th grade, no one is going to second guess my decisions.

There’s a balance in there somewhere. Thanks for getting me to think about it. Maybe you’ll see my first stab at an answer in the next week or two. If Bill will publish it, of course…

Ryan Niman

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    Bill Ferriter teaches 6th grade language arts in North Carolina, where he was named a Regional Teacher of the Year for 2005-2006.

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